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Crystal-Clear Sound for Any Production

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Good sound isn’t just important—it’s essential. Whether it’s the smallest indie set or a full-scale production, I make sure every word, effect, and atmosphere is captured with precision.

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I’ve had the privilege of working with some incredible talents, including Robert Rodriguez, Troy Kotsur, Eric Andre, and Jordan Davis. My work has been featured on major networks and brands like Peacock, NBC, Shutterstock, Tecovas, and Doc Martens. Several of the films I’ve mixed have gone on to prestigious film festivals and even taken home awards.

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With top-tier gear—including Sound Devices recorders and Lectrosonics wireless systems—I deliver clean, reliable audio that your project deserves. Whether you’re filming a commercial, documentary, narrative, or anything in between, I bring a problem-solving mindset, a collaborative approach, and the experience to keep things running smoothly on set.

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Let’s make sure your sound is as strong as your visuals. Get in touch, and let’s talk about your next project.

GEAR AND PRICING
(Below is standard industry rate pricing)
Inquire about non-commercial indie rates with - We'll try to work with your budget

GEAR ​​

  • (1) Sound Devices 633, (4) Lectrosonics SMWB transmitters and receivers, (4) Cos11 lav Mic​
    (1) Sennheiser 416 Shotgun, (2) Tentacle Sync Timecode, (5) Vocopro IFB

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LABOR AND BASIC KIT 

  • $750/10HR LABOR + $450 Basic Kit Fee - (Included 2 Lavs and 1 Boom) 

  • Overtime Rates - Over 10 = $112.50 per hour, Over 12 = $150 per hour

 

ADD ONS 

  • Lectrosonics Wireless Channels - $75 per channel per day 

  • Tenatacle Sync Timecode Boxes - $25 per box per day 

  • Vocopro IFB - $65 for 1st IFB, 20 for each additional up to 5 - Per IFB per day â€‹

 




 

© 2025 Travis Kennedy Sound 

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